Illicit Antiquities
Research Centre

against the theft & traffic
of archaeology

 

Crucial context:  the Sutton Hoo burial

Power of provenance:   the Buenavista vase

Cycladic figurines:  fake or not?


 

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Why loot?

Why archaeology?


An antiquity recovered during a properly recorded archaeological excavation is important for three reasons:

1.  We know where it was found:  it has a provenance

2.  We know what it was found with:  it has a context

3.  We know that it is not fake

An archaeological site preserves the material traces of history for hundreds, even thousands, of years.  But when a site is looted, details of provenance and context are destroyed.  They can never be reconstructed.   Traces of history are lost forever and everyone who is interested in our past - from schoolchildren to scholars - is poorer for it.


Crucial context:  the Sutton Hoo burial

Who would ever have thought that Roman silver, Swedish armour and Celtic metalwork would have been buried together in a ship with the body of a 7th century AD East Anglian king?

We know that they were because the famous site of Sutton Hoo in England was excavated by archaeologists rather than looters.  The antiquities found in this burial are beautiful and valuable in their own right, but because we know their context we can appreciate the true historical significance of the site.

Photograph (© The British Museum):  The famous Sutton Hoo helmet.  Had the site been dug by looters we would almost certainly never have known anything about the king who wore it, or that he was buried in his ship with other riches.


Power of provenance:   the Buenavista vase

The inscription round the rim of this magnificent Mayan vase tells us that it was made for Lord K'ak'-Til, ruler of the ancient city of Naranjo, in present-day Guatemala.  But it was recovered by archaeologists 15kms away in a rich pyramid burial at Buenavista del Cayo, Belize.  It was probably a gift from K'ak'-Til to the ruler of Buenavista, and is our only evidence for diplomatic ties between the two cities 1300 years ago.  With a provenance it helps us reconstruct political history.   Without a provenance it would remain a stunning work of art, but would tell us little of the history of the Mayan people.  It is estimated that nearly 90% of antiquities now appearing on the Western market have no published provenance.

 

Picture:  The Buenavista vase.  Because it has a provenance it is more than a beautiful antiquity.  It is an important clue to Mayan history.

Cycladic figurines:  fake or not?

Today, we face problems studying the remarkable white marble figurines sometimes found in Bronze Age graves in the Cycladic Islands, Greece.  Some 1,600 of these figurines are known, but only about 150 were found during archaeological excavations.  The rest appeared on the market with no context or provenance.  It is impossible to date them by scientific means, so unless they have an archaeological context we cannot tell if they are genuine or not.  Experts believe that some figurines were faked in the past 30 years to feed the booming antiquities market.
Picture:  The unspoken question hangs over the head of every figurine without an archaeological context:  Is it a fake?


Illicit Antiquities 

Why loot?

First posted June 2001; Page design updated September 2006