Illicit Antiquities
Research Centre

against the theft & traffic
of archaeology

Culture Without Context

Issue 5,
Autumn 1999

Stealing History, a portable display

Jenny Doole

McDonald Institute for Archaeological Research
Downing Street
Cambridge
CB2 3ER


(September 2006 - Please note this exhibition is now out-of-date and no longer available for loan)

display.gif (124503 bytes)Stealing History: a portable display.

It has long been recognized by those fighting the illicit trade in antiquities that public education is key. Indeed, one of the aims of the IARC is to raise public awareness of the scale and consequences of looting.

This point was emphasized by Manus Brinkman, Secretary General of ICOM (the International Council of Museums) in his keynote speech to the Museums Association Conference 1998. Commenting that he did not know of many educational programmes in schools, or museums that deal with illicit antiquities issues, he said it would be helpful if UK museums ran such communication initiatives.

Museums in badly looted countries are increasingly doing just that. There are examples of imaginative educational campaigns explaining the damage caused by archaeological destruction — and the value of archaeology — in countries like Mali, Peru, Jordan, Italy, Mexico. But there has been very little equivalent coverage in market countries.

To try and redress this balance, the IARC, with the help of the A.G. Leventis Foundation has produced a portable display, called Stealing History. It is available on loan, free of charge to museums, libraries and suitable institutions in the United Kingdom.

Under the headings ‘Illicit Antiquities’, ‘Why Archaeology?’, ‘Why Loot?’, and ‘The Way Forward’ the exhibit explains the basic issues: why the general public should be concerned about archaeological looting, the benefits of archaeology as opposed to looting, and possible ways forward. The display also highlights famous case studies from around the world, including the Salisbury Hoard and the Icklingham Bronzes, the palace of Sennacherib, the Weary Herakles, Sipán, the Kanakariá mosaic, Cambodia, Mali and Kabul Museum.


First posted March 2000; Page design updated September 2006